In your room, bass traps and your early reflection points take on an added significance in setting up your stereo field. If your issue stays unfixed, continue on to the next section. Open Task Manager back up and re-enable your programs until you find the culprit. The all stereo tracking concept needs an acoustic environment that supports the music being played since this is the primary contributor to the sound of the air around the musicians and to how they react to the interaction of the sound of their instruments within the space they are performing. If Adobe Audition runs smoothly and plays sound, your Adobe problems were most likely caused by software interference. Get everything you need to make beats, write songs, record vocals and instruments, and mix studio-quality music thats ready to be heard across the worlds. Tracking an instrument stereo using a d/i wouldn't make sense either because it won't add a thing. The space utilization shouldn't be a consideration any longer because memory is cheap, real cheap. This gives the listener more audible cues describing where the instruments and singer/singers are in the presence of the other musicians in the same actual space where the performance takes place. I think you should track everything in stereo when possible. ![]() To quickly select, reposition, or delete multiple keyframes, see Adjust automation with keyframes. ![]() In the Waveform Editor panel, click the yellow envelope line to add keyframes, and drag them up or down to change amplitude. ![]() I know I'll catch hell for it but I am going to be the descenting vote here and say record them in stereo. To boost or reduce amplitude over time, choose Gain Envelope ( Effects > Amplitude and Compression ).
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